《戴安娜：音樂劇》生動演繹20世紀最引人注目的人物之一，為觀眾帶來一場具有里程碑意義的音樂盛80s電影。

前東德最好的一部超現(xiàn)實主義幻想最新電視劇！　　this is one of the most amazing looking,surreal films of all time and i only recently acquired it on video.it was just as good after fond childhood memories of it.highly recommended,with great special effects,and stunning set design,and vivid colour and cinematography.buy with confidence!　　This is as you remember watching it as a child. Lifelike, overtly coloured and full of magical splendor, terrifying nasties and surreal characters. In short, do not shy away from this opportunity to show a Christmas Special to your children in favour of the usual fare from Disney and co. Rather, pop a fresh batch of pop corn, get first dibs on the comfy chair and opt for what was arguably one of the highlights of East German children's programming.

一個男孩被綁架，他的爸爸麥克爾·斯臺格警官陷入絕望之最新電視劇。他沒有錢，他妻子剛剛離他而去，他作警察的工作也前途暗淡。更讓他不安的是，他沒有接到綁匪的信或電話。為什么？因為綁匪搞錯了。他本想綁架斯臺格的上司警察局長馬滕斯的兒子。綁匪為了了結(jié)和馬滕斯的陳年舊帳，索要五十多萬元的贖金，馬滕斯不給。為什么？因為那不是他的兒子?？墒撬凸懒四莻€倒霉的上司。斯臺格發(fā)誓不管涉及到什么人，他都一定要救出兒子。

最新電影In a gritty near future, an ex freedom fighter reluctantly jumps back into the fold after discovering a disturbing secret that could bring down the company that owns the world.

一個男孩被綁架，他的爸爸麥克爾·斯臺格警官陷入絕望之最新電視劇。他沒有錢，他妻子剛剛離他而去，他作警察的工作也前途暗淡。更讓他不安的是，他沒有接到綁匪的信或電話。為什么？因為綁匪搞錯了。他本想綁架斯臺格的上司警察局長馬滕斯的兒子。綁匪為了了結(jié)和馬滕斯的陳年舊帳，索要五十多萬元的贖金，馬滕斯不給。為什么？因為那不是他的兒子。可是他低估了那個倒霉的上司。斯臺格發(fā)誓不管涉及到什么人，他都一定要救出兒子。

剛剛搬到倫敦的托尼（詹姆斯·?？怂?James Fox 飾）雇傭了名為巴雷特（德克·博加德 Dirk Bogarde 飾）的男子作為家中的仆人，將家里上下大大小小的一切事物交給他打理，聰明肯干的巴雷特沒有讓托尼失望，很快便獲得了主人的信80s電影?！　⊥心岬呐烟K珊（溫蒂·克雷格 Wendy Craig 飾）并不喜歡巴雷特，因為她隱約察覺到，托尼和巴雷特的妹妹薇拉（莎拉·米爾斯 Sarah Miles 飾）之間有著說不清道不明的曖昧關(guān)系。之后，托尼震驚的發(fā)現(xiàn)原來薇拉系巴雷特的情人，深感受到欺騙的托尼解雇了巴雷特。一次偶然中，托尼和巴雷特在一間小酒館重逢了，他們重新建立了主仆關(guān)系，但這表面平和的關(guān)系里實則充滿了刀光劍影。

在試圖驅(qū)除惡魔擁有的長發(fā)公主（奧利維亞·迪安（Olivia Dean））的嘗試失敗后，彼得羅辛努斯神父（雷蒙德（Urs Remond））在17世紀出售了他的城堡，并擺脫了惡魔的報6080。幾個世紀后，他的最后一位親戚，電影系學(xué)生Alina（Tabea Georgiamo）隨同攝制組來到了這座古老的城堡，在那里拍攝了畢業(yè)影片。但是相關(guān)的血再次喚醒了長發(fā)公主的惡魔。它希望對父親的所有親戚進行流血的報復(fù)

6080This apocalyptic parable carries within it a clear echo of the 1968 invasion of Czechoslovakia. This unforgiving exploration of the Czech mentality tells the tale of a troupe of wandering actors who perform a passion play in some unnamed village. Fear of some unknown danger breaks out in the village, which is cut off from the surrounding world. Stupidity, selfishness and aggressiveness then come to the surface in this society under threat. In the film's key scene, a woman is raped by the self-styled leader. Zdenuk Mahler, who would later work on Forman's examination Mozart Amadeus, worked on the script.　　The director Evald Schorm (1929-1988) was one of the most original members of the Czech New Wave. During the normalization era, Schorm spent many years unable to direct. His last film, Killing with Kindness (1988) was only made in the twilight years of Communism. During that period when he was unable to direct films, he became an outstanding stage director. He directed groundbreaking productions at the Na zábradlí Theater and Laterna Magika.